Beautiful Wasteland: The Rise of Detroit as America’s Postindustrial Frontier

According to popular media and scholarship, Detroit, the once-vibrant city that crumbled with the departure of the auto industry, is where dreams can be reborn. It is a place that, like America itself, is gritty and determined. It has faced the worst kind of adversity, and supposedly now it's back. But what does this narrative of "new Detroit" leave out? Beautiful Wasteland reveals that the contemporary story of Detroit's rebirth is an upcycled version of the American Dream, which has long imagined access to work, home, and upward mobility as race-neutral projects. They're not. As Rebecca J. Kinney shows, the narratives of Detroit's rise, decline, and potential to rise again are deeply steeped in material and ideological investments in whiteness.

By remapping the narratives of contemporary Detroit through an extension of America's frontier mythology, Kinney analyzes a cross-section of twentieth and twenty-first century cultural locations--an Internet forum, ruin photography, advertising, documentary film, and print and online media. She illuminates how the stories we tell about Detroit as a frontier of possibility enable the erasure of white privilege and systemic racism. By situating Detroit as a "beautiful wasteland," both desirable and distressed, this shows how the narrative of ruin and possibility form a mutually constituted relationship: the city is possible precisely because of its perceived ruin.

Beautiful Wasteland tackles the key questions about the future of postindustrial America. As cities around the country reckon with their own postindustrial landscapes, Rebecca Kinney cautions that development that elides considerations of race and class will only continue to replicate uneven access to the city for the poor, working class, and people of color.

Rebecca J. Kinney, who grew up in metropolitan Detroit, is assistant professor in the School of Cultural and Critical Studies and Popular Culture at Bowling Green State University.