Music and Modernity Among First Peoples of North America

Music and Modernity Among First Peoples of North America

  • 定價:5100

分期價:(除不盡餘數於第一期收取) 分期說明

3期0利率每期17006期0利率每期850
  • 運送方式:
  • 臺灣與離島
  • 海外
  • 可配送點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
  • 可取貨點:台灣、蘭嶼、綠島、澎湖、金門、馬祖
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內容簡介

Revisioning Indigenous musicology

Winner of the 2020 Ruth A. Solie Award for Edited Collections from the American Musicological Society (AMS), which honors each year a collection of musicological essays of exceptional merit published during the previous year in any language and in any country and edited by a scholar or scholars.

Winner of the 2020 Ellen Koskoff Edited Volume Prize from the Society for Ethnomusicology (SEM), which honors each year a book collection of ethnomusicological essays of exceptional merit edited by a scholar or scholars. In addition, co-editor Dylan Robinson received SEM’s Helen Roberts Prize for his chapter contributed to Music and Modernity among First Peoples of North America, "Speaking to Water, Singing to Stone: Peter Morin, Rebecca Belmore, and the Ontologies of Indigenous Modernity."

Music and Modernity among First Peoples of North America
is a collaboration between Indigenous and settler scholars from both Canada and the United States. The contributors explore the intersections between music, modernity, and Indigeneity in essays addressing topics that range from hip-hop to powwow, and television soundtracks of Native Classical and experimental music. Working from the shared premise that multiple modernities exist for Indigenous peoples, the authors seek to understand contemporary musical expression from Native perspectives and to decolonize the study of Native American/First Nations music. The essays coalesce around four main themes: innovative technology, identity formation and self-representation, political activism, and translocal musical exchange. Closely related topics include cosmopolitanism, hybridity, alliance studies, code-switching, and ontologies of sound. Featuring the work of both established and emerging scholars, the collection demonstrates the centrality of music in communicating the complex, diverse lived experience of Indigenous North Americans in the twenty-first century and brings ethnomusicology into dialogue with critical Indigenous studies.

 

作者簡介

VICTORIA LINDSAY LEVINE is professor of music at Colorado College and is the author of Writing American Indian Music, coauthor of Choctaw Music and Dance, and co-editor of This Thing Called Music. DYLAN ROBINSON (Stó lō) is the Canada Research Chair in Indigenous Arts at Queen’s University and is the co-editor of Opera Indigene and Arts of Engagement.

 

詳細資料

  • ISBN:9780819578624
  • 規格:精裝 / 360頁 / 23.1 x 16 x 2.8 cm / 普通級
  • 出版地:美國

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